On my works
My artistic work with Bristol board mainly circles around spatiality, direction and movement. I am always aiming at linking wearability with sculptural form. While working with the material, I am using both its flexibility as well as its stability. Thereby, it is essential for me to generate resistance of the material and feel the physical power of this bundled material. This determines my research and artistic search.
Meine künstlerische Arbeit mit Zeichenkarton kreist um Räumlichkeit, Richtung und Bewegung. Dabei verbinde ich Tragbarkeit mit skulpturaler Form. Während der Arbeit mit dem Material nütze ich sowohl dessen Flexibilität als auch seine Stabilität. Absolut essenziell ist es für mich hierbei, extremen Widerstand im Material zu erzeugen und die physikalische Kraft des gebündelten Materials zu spüren. Dies bestimmt meine Forschung und künstlerische Suche.
Feasts on Paper 2021, Shanghai International Paper Art Biennale
September - November 2021
Fengxian Museum, Shanghai, China
CODA Paper Art 2021
June 2021 - January 2022
Coda Museum Appeldoorn, Netherlands
Beijing International Jewelry Art Exhibition
October 2019
Zhongguancun Fashion Industry Innovation Park, Beijing, China
Révélations - Biennale internationale métiers d'art et de la création
"Lydia Hirte Paper Art Jewellery", with "Grassi for Friends" (EFRE-Funds),
May 2019
4th Triple Parade - Biennale for Contemporary Jewellery
October 2018 - January 2019
How Art Museum - Design Center, Shanghai, China
Danner Preis 2017
October 2017 - January 2018
Villa Stuck Munich, Germany
ETHNO
November - December 2017
Art Gallery Arka, Vilnius, Lithuania
Les Confluences - Ramon Cases and Contemporary Jewellery
September - October 2016
Paper Art II
Artpower & Ginko Press 2015
Art Jewellry Today: Europe
Catherine Malette (ed.), Schiffer Publishing, 2014
Paper Play
500 Paper Objects
Gene McGugh (ed.), Lark Books, 2013
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