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On my works


My artistic work with Bristol board mainly circles around spatiality, direction and movement. I am always aiming at linking wearability with sculptural form. While working with the material, I am using both its flexibility as well as its stability. Thereby, it is essential for me to generate resistance of the material and feel the physical power of this bundled material. This determines my research and artistic search.

Meine künstlerische Arbeit mit Zeichenkarton kreist um Räumlichkeit, Richtung und Bewegung. Dabei verbinde ich Tragbarkeit mit skulpturaler Form. Während der Arbeit mit dem Material nütze ich sowohl dessen Flexibilität als auch seine Stabilität. Absolut essenziell ist es für mich hierbei, extremen Widerstand im Material zu erzeugen und die physikalische Kraft des gebündelten Materials zu spüren. Dies bestimmt meine Forschung und künstlerische Suche.


RECENT WORKS


EXHIBITIONS

CODA Paper Art 2021

June - October 2021

Coda Museum Appeldoorn, Netherlands

Beijing International Jewelry Art Exhibition

October 2019

Zhongguancun Fashion Industry Innovation Park, Beijing, China

Révélations - Biennale internationale métiers d'art et de la création

"Lydia Hirte Paper Art Jewellery", with "Grassi for Friends" (EFRE-Funds),

May 2019

Grand Palais, Paris, France

4th Triple Parade -  Biennale for Contemporary Jewellery

October 2018 - January 2019

How Art Museum - Design Center, Shanghai, China

Danner Preis 2017

October 2017 - January 2018

Villa Stuck Munich, Germany

ETHNO

November - December 2017

Art Gallery Arka, Vilnius, Lithuania

Les Confluences - Ramon Cases and Contemporary Jewellery

September - October 2016

Museu del Modernisme de Barcelona, Spain

PUBLICATIONS

Paper Art II

Artpower & Ginko Press 2015

Art Jewellry Today: Europe

Catherine Malette (ed.), Schiffer Publishing, 2014

500 Paper Objects

Gene McGugh (ed.), Lark Books, 2013